Friday, 18 May 2018

Flow drill for taekwondo hand techniques part 4


If you’re a regular reader you will undoubtedly have seen my flow drills posts in the last months. This is the fourth one dealing with a variation where each partner does a different attack than the other. In this specific example one does a haymaker and the other an elbow strike but you can vary this with any kind of attack, the example is just that; an example :-)





https://youtu.be/iiAKk69rDwk



If you have enjoyed these videos please consider supporting the blog and its YouTube channel by sharing the clip with a friend or two :-)

Friday, 11 May 2018

Part 3: Flow drills for Taekwondo hand techniques

We just start straight into part 3 :-)

Template 3; Ap Makki:

What on earth is an "Ap makki"? I just came up with the term myself:-P Here the attacker does a round elbow strike or dollyo palkeup chigi, which the defender then jams by shooting his arm straight ahead, before the elbow gets to terminal velocity (You'd be hardpressed to "block" a round elbow strike if you let it pick up much momentum). Again the other hand come up from underneath and parries it to the side, before the other hand pushes it inwards and you do your own elbow strike. So the uniqueness in this template is the elbow strike, and frontal contact point. If you click the read more you will see the youtube embedded clip:-)


Friday, 4 May 2018

Practical applications drill covering a whole Poomsae!

This is the first time I have made this public, but it is the first drill of its kind (as far as I know) where you apply a Poomsae from start to finish without overlooking any techniques, and you use all the sequences as is. I have many to thank for my jurney into Taekwondo applications, perhaps too many to mention, but a shoutout to Samir Bernardo who inspired me into making this drill, to Iain Abernethy who I have also taken inspiration from, to Stuart Anslow, Simon O'Neill, Colin Wee, Matthew Sylvester and many many more and of course my own instructors Master Cho and Master Oppedal :-) I have tried giving as much context as possible in the clip itself so it became pretty long, but if all you want to see is the drill itself you can skip to the end (about three minutes from the end). If you enjoyed the clip please consider subscribing to my channel if you have not already done so ;-), share the video etc. If you did NOT like it, please make your own version that you do like and share it with the world :-D

Tuesday, 10 April 2018

3 important things to know to find practical meaning in Poomsae

Here's a short video explaining and illustrating three important principles to get combative meaning in Poomsae. Of course this is a vast subject, but these three will get you started. The principles are: understand the pulling hand (you can  read up on dangkinun son on this blog, or see my mini lecture #2 for more information), "blocks" are not static "blocks" (again a quick search on this blog will give you page up and down with lots of information), and "there is only one opponent".

Any principles you would like to see covered in a similar format? Please comment or PM me if you do:-)


Thursday, 5 April 2018

Mini lecture #2 Why do we pull our hand to our hip?[2018]

In this video you will get some of the reasons why we pull our hand to our hip in forms and basics, as well as why we chamber techniques, the role of blocks and much more. I again did this without any script, but I did a better job at editing this time (at least I think so) and I placed my camera so I did not have to hold it while filming so the presentation is way better than in the first lecture. I still have a far way to go both in editing skills and in presentation, but its a steep learning curve, and hopefully I will give an alternative to the text dominated content I have been providing so far.

What would YOU like to see in a future mini lecture? Please answer in a comment or PM :-)


Wednesday, 28 March 2018

My first video mini lecture; What is the difference between Hyeong, Tul and Poomsae?

This is my first ever video mini lecture. It clocks in at 16 minutes, it was unscripted, and I took it as a
fun challenge since I am way more comfortable to write English, than to speak it. It became very "Norwenglish" as a result, but I think it is understandable. If not I have texted the whole clip (so you can even see it without sound as long as you turn on the captions option on youtube). I am still a beginner when it comes to editing video, but I managed to cut out the most fumbling bits, and I managed to insert some illustrations to break up the monotomy of me talking and to give you something to view besides my ugly mug.

I talk about the history, the meanings, translations, reasons why the different organisations uses different terms and much more in this clip. Did you know that we have two different terms Poomse and Poomsae? Do you know the difference between them and what they mean? Do you know when they changed from Poomse to Poomsae and why? Do you know when Choi Hong Hi changed from Hyeong to Tul? That and a whole lot more is in the clip:-) If you enjoy it, and want to see more please subscribe to my youtube channel, and or share the clip with any taekwondo nerd that you know:-)

Tuesday, 20 March 2018

Gawi Makki Revisited (Scissors block)

In 2015 I wrote a post on Gawi Makki or Scissors block which you can read here where I outlined a
Author halfheartedly demonstrating
the Gawi Makki in the video clip
few applications on the Gawi Makki. Then as now many people come to the blog searching for combative meaning to seemingless uncombative movements of Poomsae and traditional taekwondo. One concept that I have taken onboard in my own study and practise is the "Parry-Pass" concept of receiving and redirecting the opponents limbs to keep control and create openings instead of waiting for the opponent to give me one. In 2015 I had yet to integrate this concept in a big way, so I did not include my take on Taegeuk Chil Jang's Gawi makki VS Taebaek Poomsae's Gawi Makki. I simply viewed the double Gawi Makki as a way of demonstrating that it works either way (which is up and which is down, and which foot is forward in Taegeuk Chil Jang, and when it is revisited in Taebaek it is simply demonstrated as one example since all variations were covered in Taegeuk Chil Jang.